A Matsuli recommended CD from Nigerian legend Fatai Rolling Dollar. Nice article here from NigeriaWorld whilst the following review comes via Mondomix
This 13-track recording Papa Rise Again is a moving testimony to a man resuscitated from the dead only four years ago. For 20 years, Fatai Rolling Dollar had been Fatai Olayiwola Olagunju, the anonymous security guard in a stadium. When the musicologist Steve Rhodes tracked him down, he was down to his very last dollar. The fairy-tale renewal with the Agidigbo player is powerfully encapsulated in this vintage album. It revisits the songs at the heart of Fatai’s glory years and mixes them slickly with his latest compositions.
The variety in the composer’s music style chronicles the influences that have washed through Nigeria since the Fifties. The native Agidigbo style is at the heart of the work, of course, and it crystallises beautifully with palm wine highlife in the title track or “Awa Re Koja”. But in “Eraya” we also enjoy transatlantic blues in this homage to the legendary songwriter Ambrose Campbell; Lagosian folk music in Fatai’s take on “Baba Wa”; Latin American melodies in “Orona”, and its Creole-spiced lyrics.
Accompanying these genres is Fatai’s unmistakable voice. Here again, one can only wonder at the range, as the veteran is as much at ease in a falsetto mode in “Saworo” or “Sis Jaiye Jaiye” as he is in the grainy tenor range of “Won Kere Si Number”. The latter became something of a national anthem after it was re-released by Fatai in his album The Return. “The press and the whole country warmed to him,” notes Kayode Samuel in the sleeve-notes, “The Lagos state governor gave him a two-bedroom flat in honour of his contribution to music in Nigeria.”
Such a far cry from the abject poverty of the one bedroom hovel he was living in after his destitution in 1977. That is where he lived with his wife and five children, before illness and abject poverty took them all. The pain and suffering he endured remain surprisingly absent from this icon to Nigeria’s traditional urban music. “I am like a tiger and all my body is ready for action,” he told a reporter shortly after the release of the three albums that marked his return in 2004. Papa Rise Again oozes with nostalgia. But the album’s raw percussions, slick palm wine guitar licks and modern production techniques give it a timeless quality that will warm hearts of all generations. There is a gentle defiance here that is reflected in Fatai’s live performances, as his upcoming tour of Europe will undoubtedly prove.
- Daniel Brown, May 2007